The film is neatly paced with humor, romance and sentiments, striking a perfect balance for a commercial film. And needless to quote, Saranya's phenomenal performance is a vital contribution, helping the film to attain some quality. She is the best character artiste in and around the industry not without a reason. Inevitably, we could see the concordances of another trend-changing work, Paruthiveeran, in the base plot of the film. The opening scene with the death of Lal due to regional disputes and the transition of his son in the village, visualization of the songs, the actor's mannerisms and yet a number of factors in the film purely reminds us of Ameer's classic. Though its very tedious to direct a reality film in a rural backdrop without any correlation of two great classics of modern times (subramaniyapuram and paruthiveeran), the film-maker has given his best shot. Kudos to the legendary directors Bala and Balaji Sakthivel who emphasized on reality films and literally persuaded hundreds of films and film-makers through their evergreen-classics Sethu and Kadhal, that changed the long- prevailing scenario of South Indian cinema.
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